The Idol is a must-watch masterpiece from Hany Abu Assad that excels in all cinematic aspects. It will make you tearful and joyful. It is a film about dreams, and pursuing dreams, and finding hope in the most problematic situations.
The Idol narrates the incredible true story of Mohammad Assaf (played at different ages by Qais Attalah and Tawfeek Barhom), starting from the singer’s childhood in the conflicted region of Gaza.
Assaf puts together a band with his friends and sister Nour (Hiba Attalah) and performs at weddings to earn money to buy musical equipment.
After Nour dies of kidney failure, Assaf gives up on his dreams of singing. Years later, his hope is restored as he daringly smuggles himself into Cairo and wins the popular TV show Arab Idol and the hearts of millions.
Although Assad’s life story is well-known in the Arab world, Abu Assad’s direction will keep you eager for what’s coming next. Sameh Zaobi’s writing picks what to include and what to leave out, providing a balanced mix of everything.
Ehab Assal makes the film one of the best-shot Arabic films of all time, with breathtaking shots and visual charisma. Habib Hanna’s music helps the film deliver all the emotions in the right note.
With terrific performances from everyone, Hiba steals the show with her adorable portrayal of Nour.
The Idol also shows the situation in Gaza from within, and the daring attempt to shoot the film in Gaza should not go unappreciated.
All the entertainment and successful delivery of the film’s emotions can be accredited to its cinematic fictionalisation, which at times can become too cheesy, and does not give the look and feel of reality.
The Idol is also not devoid of those “true story” movie cliches, but its greatness will make you forget all its negatives.
Screened at the 12th Dubai International Film Festival, The Idol received a standing ovation from viewers as Mohammed Assaf walked onto the stage.
My Rating: 9.5/10
